Category Archives: celluloid

rare jongens die republikeinen

Not last night but the night before a certain girlfriend who manages to force me into occasionally watching interesting stuff on tv (like the news or a well made documentary) instead of the junk I prefer, took a look at my tv guide and highlighted this documentary called Boogie Man: The Lee Atwater Story. Although it was on only pretty late, we somehow managed to fight off sleep and stayed up until the midnight hour, around which our carefully selected show started. When it had finally started, we were instantly ‘grabbed’ by it. Apalled and fascinated simultaneously.

This guy, this Lee Atwater, somehow managed to be the perfect guy for the most horrific job in the world, namely: be the republican party’s spin doctor for presidential campaigning and forced both Ronald Reagan and George H. W. Bush into being presidents by pretty much inventing the word ‘slander campaign’. Now I don’t know how you guys feel about the international influence those two, or should I say three, presidents had on the world as a whole, but I feel it’s safe to say this guy Atwater pretty much personifies the saying ‘the devil’s advocate’.

Lee must have been a real devil, a real ruthless, cynical, natural born machiavellist. But the weirdest and saddest of all is, he was pretty cool. He was funny, a great guitar player (He briefly played backup guitar for Percy Sledge during the 1960s and frequently played with bluesmen such as B.B. King) and his cynicism also worked truth provocing. When asked by a reporter about his unscrupulous methods, he simply stated ‘we never tell how me make sausages’. It’s exciting to see this guy change from the guy you love to hate into the guy you hate to love in only 86 minutes.

He was really a whole lot like Alex Keaton (Michael J. Fox), the only republican family member in the left wing, baby boomer, post hippie Keaton family in the tv series Family Ties. We all know that if power is dominated by an extreme, rebellion will be dominated by the counterpoint of this extreme, meaning ‘when the parents are hippies, their son is a huge fan of William F. Buckley Jr.’ Atwater, being rased in the South, grew a natural anti-establishment feel from the inferiority complex the south had obviously always suffered from (in their minds the South had lost the civil war from jewish New York stock brokers who basically had nothing to do with the country God had in mind for them gunslinging American good ol’ boys), plus he experienced a tragic death in the family which, according to the documentary, caused him to lose faith in god and happiness.

In short the absence of love in this man’s life caused him to have a bizarre understanding of the words ‘responsibility’ and ‘compassion’. So the lack of understanding of those two words in the life of one individual, one genius strategist, has proven tremendously important for the recent history of the US, and the now of the world. Nowadays that’s being called ‘one man can make a defference’. Finally, in the end of the documentary, Atwaters last years of his life might be best be defined as ‘Lee experiencing the wrath of God’. I don’t know, but I was like ‘no matter how bad your judgement is, you just gotta know when you’re really making a big fucking mess’, ‘What goes up must come down’, ‘what goes around…’ and so on. A must see on both political and humane level.

Here’s to you, Charlie Brown!

I made this title sequence (again, in a crazy collaboration with intern Sander van Loon) for Victor Vroegindeweijs dreamy documentary ‘Gaandeweg’ [Along the Way]. A beautiful film about his father, the Dutch poet Rien Vroegindeweij. It turned out quite ok. I guess we’re open for film business!

The Self

The other day I saw Ghost In The Shell (Mamoru Oshi, 1995, originally titled ‘Kôkaku kidôtai’) again. I guess the last (and first) time I saw it was 1998 or so and I remembered it had made a big impact then when I was in my early twenties. I couldn’t have guessed it would be as breathtaking then as it still is now. It’s a fantastic film on the dangers –or consequences if you prefer– of humanity creating intelligent computers. Wearable technologies, robotic limbs, the internet and the fact that we grew up on films about this subject (2001 A Space Odyssey, Blade Runner) provided us with a mindset able to further explore the meaning of the soul of men compared to the soul of objects.

I don’t know why I’m always fascinated and deeply moved by films on this subject. ‘A.I.’, ‘electroma’ and ‘The Matrix I-III’ are obviously films that made me cry like a baby. It must have something to do with a certain numbness robots display that I can easily relate to. Humans seem to almost take pride in showing their every emotion when shit hits the fan. Their will to display their involvement with other people’s misfortune is mostly enormous and encouragable. If it comes to stuff like that, I tend to act a little droidy myself. For instance I never take my problems elsewhere but I do advise others on theirs in a soulless, reasonable manner and on a clockwork basis. In a way I have become a replicant myself. Society prefers calling it ‘nihilist’, but doesn’t that mean ‘robotic’ in itself. Also, I don’t consider myself soulless, so even in that respect I’m just like all the soulless droids in all the films I just brought up. Maybe men truly is soulless and their longing for a certain soulfullness drives them to do radical things, or make radical choices and their longing or hoping to posess a soul actually provides them with one just as their longing for a God who’s not just their inspiration but also their actual creator provides them with one of those.

But I do believe in love to be the driving force behind- and the meaning of life, so in that repect I was created by –at least the act of– love and now am inspired by it, hense my God IS love. It’s just not the kind of love that makes me feel sorry for sadness, it’s more of a love that embraces the idea of a world in which happiness is something to be celebrated, like ‘weekends’… and sadness is just the mud we all wade through uninspired, simply because we must. Because we’re programmed to do so.

If you haven’t seen it yet, go out and order it on DVD: the animation’s stunning, the score (by Kenji Kawai) is stunning and the characters are cool ’n sexy like Bogart and Bacall, but the story (of a hacker called ‘the puppet master’ being tracked down by the cyborg cop who’s actually the puppet master’s digital soul mate) is simply awesome.

now I do remember the last time I cried

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Last week Suus and me went on one of those ‘it’s all getting much too much now, so let’s get out of town for a couple of days’ type holidays to the beautiful town of Ghent, Belgium. Somehow everything was themed ‘the old and forgotten’.

We went to a bar called Den Turk that has been there since the year 1228(!), I bought me a new sports jacket, which had not happened since childhood, we walked around in a town breathing the middle ages, saw Jan van Eyck’s ‘Het Lam Gods’ ['the adoration of the mystic lamb'] and the cathedral (both quite stunning), saw Sebadoh play live in their original line-up in the Trade Centre building (in which according to Jason Loewenstein Mozart had performed in his day), needless to mention it was a great gig of three indierock dinosaurs proving that men who know not exactly how to play their instruments in unison still are able to rock out with an energy seldomly displayed. And last but not least an encounter with an animal we probably won’t see live in our lifetime (not counting captivated zoo animals) anymore. I speak of the mighty polar bear.

What happened was in Belgium the BBC documentary ‘Planet Earth’ still played in cinemas. Belgians apparantly have more feeling with mother earth than us. (Either that, or Dutch people enjoy the DVD experience better.) Anyhow, the documentary made clear that polar bears are practically extinct, given the fact that they can no longer walk the frail ice to get them near seals, which make up most of their diet. In other words: we messed up. At the end of the film we see a polar bear, unable to reach seal territory, weakened from exhaustion try out new dinner possibilities and attack a group of walrus. Of course our fluffy friend is no match for these enormous creatures and the bear finally hits the ground awaiting its inevitable death.

Of course I already knew this, otherwise Suus and me wouldn’t have picked the polar bear as our symbol of collaboration on, amongst other things, The New Earth Group artwork. We came up with it then since we themed the looks for that record ‘the New Earth is the Now’, the old earth is that of the free roaming polar bear. But then, in that Ghent cinema something hit me. The film eventually points out that you can do something about this horrific truth, if you like to know how, visit the love earth website. Now, since we went to see the matinee, there were four kids sitting in the row in front of us and about five in the one behind us. I couldn’t help but thinking ‘yeah sure, like visiting websites could bring back the ice. These animals are dead and you know it, Patrick Stewart!’. Normally I’m all for progress no matter if it seems ‘bad’ or ‘evil’ or ‘cold’ or ‘heartless’ or just ‘inconvenient’. Normally I like to think inevitabillity is something you want not waste your breath on. But now, surrounded by kids, I felt sick and beaten. Sick, because I couldn’t stand these children being lied to, and beaten because I know they simply had to be lied to, for reality simply would have been too harsh for them. Meanwhile, try and keep in mind this film is aiming at an ALL ages audience, not just kids. This says one or two things about grown ups as well if you ask me. But then again maybe I was merely lying to myself and had convinced myself of the worst possible scenario to be ‘the only truth’ simply to protect myself in a weird way. Protect myself from ‘hoping otherwise’, which could possibly have a disappointing effect in the end. And when I say possibly, I actually mean ‘almost without any doubt’.

No wonder we, the HuMobisten, once were in love with ‘doubt’ a lot. I sure hope my getting older doesn’t mean my cleaning up in the doubt department. ‘Cause if that’s so, there lies a pretty sinister future ahead.

Tourism 6

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March 6th, 2008 DVD

Jef

My friend Lotte - who I know for many years - made a film about Jef.
As you can see on the trailer above, hihi… If you want to see the whole
film, go here!

You go girl!

LOST

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After 10 days of getting LOST at the IFFR festival - and seeing quite a few
really good films like Cordero de Dios, Paranoid Park, No country for old men,
The best of times, You the living, Margot at the Wedding, Cameron Jamie &
The Melvins (which I saw already once at De Vleeshal) and a lot more that I’ve
already forget - I have to especially mention Loudthings by Telcosystems, which
I saw somewhere at the Pathhhhhhe.

But I am very happy now that I can be LOST at home, cause my Jan Hart book is at
the printer (Hooray!), and that I just checked the first episode of LOST season 4, Yeah!!!

If you liked de Zevensprong and Twin Peaks, why wait?

Raise The Red Carpet

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On the opening night we still looked kind of fresh (or at least Gyz did) but yesterday, day eight of the IFFR I decided that today (friday) I was taking the night off. As a DJ booker I sure did a good thing putting KAUS & KOSA (thu), ALIEN2000 (fri), Serge Bozon (sat), Andre Dadi & Miss Delicious (sun), Roeland303 (mon), Elle Bandita (tue), David Vunk & Alden Tyrell (wed), ClubLePOP (thu), Bombay Connection Night (fri) and finally Azizz, Ted Langebach and Nelson & Djosa (sat) in the legendary ‘Kleine zaal’ of the Theatre, but that job sure ate up some of my precious sleepy time. But hey, sleepless nights and pain-in-the-ass gossip are all part of the deal and taken like a man when it’s for the good cause someone way up there in the festival management told me. Apart from this I saw some films, went to several off-scheduled parties (here, there and everywhere) and did my Peter Teps and so do I - performance at the Open Hotel last wednesday… I don’t know why but my fifteen minutes of fame type Red Carpet moment seems to particularly focus on Chiem ‘en ik ruik de laatste tijd niets als ik ruik!’ van Houweninge.

On films:
Saw some bad ones (My Marlon and Brando), saw some good ones (Le Tueur, The Melvins live soundtracking three awesome shorts by Cameron Jamie) but the ultimate film to catch this year is the Coen Brothers’ No Country for Old Men. That film’s so good, it gave me the shivers, a head ache, goose bums, watery eyes, bad breath and a honey tummy. Man, the US must have been a hell of a good place to have lived in (for loners, weirdos and hermits) around, let’s say, the 1950’s. But that’s all over now that it’s all just about money and drugs. That about sums up the film, I guess. Quite the dream squashing trip, I tell you!

Millennium Falcon

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Is it 007, Clint, or Han Solo?
You will find out this year…

photo: Roel van Tour

Gyz & Sparta

Gyz La Rivière in Amsterdam, 2002
Yep, Sparta lost yesterday in the Rotterdam-derby against Feyenoord…
But now Feyenoord is on top!