Category Archives: Hate to say I told you so

2008 - My Top 5 Albums

The year’s almost over so I figured why not be on time with the years Album Top 5 for a change. Let me start by saying it’s a personal Top 5, so please try and keep the ‘Where’s Kanye?’s, and the ‘You mussed be kidding not to include MGMT!’s and such to a minimum. I can tell you however that I haven’t really heard Lil’ Wayne’s ‘Tha Carter III’ but it’s supposed to be great, I guess the ‘A Millie’ single therefore should have made my list, but since it’s an album listing well… it can’t. Albums I have heard but didn’t make the Top 5 however are (among others) Beck’s ‘Modern Guilt’, Santogold ‘Santogold’, Hot Chip’s ‘In The Dark’, Hercules and Love Affair’s self titled album, Erykah Badu’s ‘New Amerykah Part One (4th World War)’ and MGMT’s ‘Oracular Spectacular’ (which would have made No. 6 if this were an Album Top 6). I guess the picture above pretty much gave it away, but here’s my Top 5, 5 to 1 style:

5. Marnie Stern ‘This Is it and I Am it and You Are…’
on 5 because I haven’t heard it more than three times, but those three times must have all been within the last week. It’s, excusez le mot, ‘original’, it kicks ass, it annoys the hell out of people who know jackshit about music and it features Hella’s Zach Hill (earlier mentioned on this blog here). Download it!

4. Fleet Foxes ‘Fleet Foxes’
I guess everyone with ears will agree to this one. Fleet Foxes is the new Crosby, Stills, Nash and Young. If their next album is going to sound like this one tho they’ll be forgotten before the fall of 2009.

3. Benjamin Herman ‘Hypochristmastreefuzz’
The Herm did it again! Hypochristmastreefuzz is Herman’s second homage to the Dutch Godfather of improv, Mischa Mengelberg. Herman’s genius on this recording makes ‘De sprong O Romantiek Der Hazen’, a Chicago Art Ensemblish weird Mengelberg track sound more like a Phil Woods ballad and Broezimann an introspective Monkish Mengelberg track like it was performed by The Revels, but still manages to keep the album from going all over the place. Insightful, occasionally sweet and action packed, once again.

2. Fuck Buttons ‘Street Horrrsing’
Andrew Hung and Benjamin John Power are often being called the new Neu!, but that’s a compliment that merely does justice to the quality of both Street Horrrsing and the concert I saw may something this year. Sure, they’re as ‘droney’ as their thirty year older colleages, but their drones seem to fit better in the now than the drones that must have fitted the seventees earlier. Couple of weeks ago I was on a trainride thru the The Green Heart (a region in Holland where there’s a lot of meadows, farmland, occasional birds of prey and such) which was covered in early snow and blurred with fog while hearing ‘Sweet Love for Planet Earth’, the albums opening track. I felt like crying, I felt like smiling, I felt like calling loved ones, I felt like shutting up forever. If Street Horrrsing had come out eleven years earlier I guess it would have been the soundtrack to Ang Lee’s The Ice Storm. Great record!

1. Nick Cave and The Bad Seeds ‘DIG, LAZARUS, DIG!!!’
Here’s the record I’ve been listening to all year. I must have made at least fifty dinners this year singin’ along stuff like ‘everybody’s coming round to my place! everybody wanna be a midnight man…’, ‘we’re gonna have a real cool time… TOOOOOOO-NITE!’ and ‘…and what an enormous and encyclopaedic brain… and we called upon the author to explain!!’. Like all Nick Cave albums, it reeks of crime, rocky landscapes, literature, opium dens in the wild west, self knowledge and an ever present God laughing in our faces. Only this time Cave laughs along. And therefore it’s easier for me to relate to Nick Cave than on any of his earlier recordings. I’m not an all-time Nick Cave fan and I certainly don’t think The Birthday Party was all that great (although the actual Harold Pinter play was quite spectacular). I only stepped in when first seeing the ‘Stagger Lee’ (from the Murder Ballads album) video on MTV and I believe Cave and the Seeds have gotten better with every record since. For example, a year ago I thought Grinderman was the bees knees and of course the soundtrack for ‘The killing of Jesse James…’ was awesome. If you don’t know what I’m talking about you’ve got a lot of catching up to do.

That’s it! Next Top: same time, next year.
photo above (detail) taken by one Polly Borland

media power 2: democrazy vs. doomocracy

Will democracy as we know it (not at all democratic) fall first where it first started?

met de con in de kribbe

This saturday there’s a swell party at Zaal De Unie as the ConClub throws a good one starring Panico (a wild band from Chile), Parisian DJ/musician Cosmo Vitelli, In Flagranti (New Yorkian), dutch performance artist Gabriëlle Barros Martins and the film ‘Wild Combination’ about disco avant-freak Arthur Russel. Enough reasons to show up. Limited tickets available thru the ConClub website.

Blow by Blow

When it came out I already wanted to say something about this beautiful album, but then I forgot and there wasn’t a real reason in quite some time. As if I need a reason?! Well, I guess I somehow do. Anyway, what better reason than letting you all know about the Edison, a prestigious musical award, Benjamin Herman recently won for his album ‘Campert’. An album based upon the original score Herman made earlier for a documentary my friend Jeroen S. Rozendaal had been working on named ‘tijd duurt een mens lang’ about dutch poet and writer Remco Campert.

Many people know Herman as being the band leader of his legendary New Cool Collective and NCC Big Band, but the alto saxophone player Herman is above all a jazz cat. He’s the only young musician I ever heard who’s able to combine modern jazz with a sort of nostalgic or pure feel one has when listening to jazz dinosaurs Ben Webster, Charlie Parker or especially Sonny Rollins (who I admit is least of a dinosaur of the three but who still is born, unlike Herman, in the year 1930). His influences notably vary from Jaki Byard and Mischa Mengelberg to Defunkt’s Joseph Bowie or James Chance, but I somewhere overheard he recently is into Fleetfoxes as well. So I guess why he‘s such a great musician is pretty obvious: he simply loves all music, a quality seldom seen by at least the jazz musicians I know.

The moody ‘Campert’ reeks of fallen autumn leaves, stifled heart ache and the joy of einzelgangin’ and is already being compared to legendary jazz soundtracks like Miles’ ‘Ascenseur pour l’Echafaud’ and such, but it reminds me most of all of Gato Barbieri’s Soundtrack for ‘Last Tango in Paris’ (orchestrated by Oliver Nelson). Anyway, it’s just a really, really awesome record which can be played at least four or five times a week when the wheather’s right. Much respect for all musicians, but extra special credits go out to piano player Gideon van Gelder who genuinely plays with the subtlety of someone who does little, but is probably capable of lots.

Designer Toys Dolls

About twelve years ago Madeleine Berkhemer and me had an idea about a miniature fashion show. With dolls and Marklin trains and all. Some things don’t happen, and maybe for the best.. Who knows…

But I just bumped into this amazing show by our Dutch heroes Viktor & Rolf in London. So if you’re in London this summer, go and check out their show The House of Viktor & Rolf at the Barbican Art Gallery.

The exhibition is dominated by a gigantic doll house, a graceful three-level structure with Palladian proportions. “We are hoping we have built the largest doll house in the world”, said Rolf Snoeren.

Talking about Dolls, Dolls (Kitano Takeshi, 2002) is one of my favourite movies ever!

photo (up): exhibition detail (photo: Christopher Moore)
photos (down): Catwalk look and reproduction: ‘Bedtime Story’, a/w 05 (photo: Peter Stigter)

Sunday, 05:59

rotterdammorning.jpg

Damn, Tesla rocked it!

All great truths begin as blasphemies

Not too long ago Canadian robotics artist and scientist Graham Smith showed me
a full page ad in the Economist, put there by a company named Steorn. Graham
explaned to me that supposedly these guys undeliberately came up with a sort of,
or an actual, perpetuum mobile (some of the world’s most cynical scientist are
trying to find out just that, as we speak). Anyway, find out more on their attempt
to save the world from ‘dangerous’ energy here.

As I was showing this to Meinhard (who I’m not even linking anymore, just type
‘Meinhard’ in the SEARCH section somewhere on the left of this website) he told
me that the problems these guys at Steorn are facing reminded him somewhat
of this documentary film.

If you’re from around Rotterdam and you’re interested in energy, let me inform
you of the following: Tomorrow night I’m drummin’ in my man Fabio’s Blues-a-
billy Rock outfit at Tent. (I guess it’s a ‘multi avond’, but I’m not sure.)

2 x WOW!

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and here’s another wow guy. WOW!