
True
October 24, 2008 at 2:46 pm

Not last night but the night before a certain girlfriend who manages to force me into occasionally watching interesting stuff on tv (like the news or a well made documentary) instead of the junk I prefer, took a look at my tv guide and highlighted this documentary called Boogie Man: The Lee Atwater Story. Although it was on only pretty late, we somehow managed to fight off sleep and stayed up until the midnight hour, around which our carefully selected show started. When it had finally started, we were instantly ‘grabbed’ by it. Apalled and fascinated simultaneously.
This guy, this Lee Atwater, somehow managed to be the perfect guy for the most horrific job in the world, namely: be the republican party’s spin doctor for presidential campaigning and forced both Ronald Reagan and George H. W. Bush into being presidents by pretty much inventing the word ‘slander campaign’. Now I don’t know how you guys feel about the international influence those two, or should I say three, presidents had on the world as a whole, but I feel it’s safe to say this guy Atwater pretty much personifies the saying ‘the devil’s advocate’.
Lee must have been a real devil, a real ruthless, cynical, natural born machiavellist. But the weirdest and saddest of all is, he was pretty cool. He was funny, a great guitar player (He briefly played backup guitar for Percy Sledge during the 1960s and frequently played with bluesmen such as B.B. King) and his cynicism also worked truth provocing. When asked by a reporter about his unscrupulous methods, he simply stated ‘we never tell how me make sausages’. It’s exciting to see this guy change from the guy you love to hate into the guy you hate to love in only 86 minutes.
He was really a whole lot like Alex Keaton (Michael J. Fox), the only republican family member in the left wing, baby boomer, post hippie Keaton family in the tv series Family Ties. We all know that if power is dominated by an extreme, rebellion will be dominated by the counterpoint of this extreme, meaning ‘when the parents are hippies, their son is a huge fan of William F. Buckley Jr.’ Atwater, being rased in the South, grew a natural anti-establishment feel from the inferiority complex the south had obviously always suffered from (in their minds the South had lost the civil war from jewish New York stock brokers who basically had nothing to do with the country God had in mind for them gunslinging American good ol’ boys), plus he experienced a tragic death in the family which, according to the documentary, caused him to lose faith in god and happiness.
In short the absence of love in this man’s life caused him to have a bizarre understanding of the words ‘responsibility’ and ‘compassion’. So the lack of understanding of those two words in the life of one individual, one genius strategist, has proven tremendously important for the recent history of the US, and the now of the world. Nowadays that’s being called ‘one man can make a defference’. Finally, in the end of the documentary, Atwaters last years of his life might be best be defined as ‘Lee experiencing the wrath of God’. I don’t know, but I was like ‘no matter how bad your judgement is, you just gotta know when you’re really making a big fucking mess’, ‘What goes up must come down’, ‘what goes around…’ and so on. A must see on both political and humane level.
October 17, 2008 at 4:30 pm

De benoeming van Ahmed Aboutaleb tot burgemeester van Rotterdam.
Why do I do, just as you say
Why must I just, give you your way
Why do I sigh, why don’t I try to forget
It must have been,
That something lovers call fate
Kept me saying, ‘I have to wait’
I saw them all,
Just couldn’t fall ’til we met
It had to be you, it had to be you
I wandered around, and finally found
The somebody who
Could make me be true,
And could make me be blue
And even be glad, just to be sad
Thinking of you
Some others I’ve seen,
Might never be mean
Might never be cross,
Or try to be boss
But they wouldn’t do
For nobody else, gave me a thrill
With all your faults, I
Love you still
It had to be you, wonderful you
It had to be you
‘It Had to Be You’ (1924) music by: Isham Jones, lyrics by: Gus Kahn
from the film Casablanca (1942)
October 16, 2008 at 10:38 am
Yeah 1989! Natas Kaupas visiting Jason Jessee in the cell.
Streets on Fire, video by Santa Cruz skateboards.
Also check his part in Wheels of Fire (1987, with geat video art!)
September 30, 2008 at 12:45 pm

location: MAMA: Witte de Withstraat 29-31, Rotterdam
Artists: 75B, Daan den Houter, Kimberly Clark, Max Maas, Parra, Rafaël Rozendaal, Helmut Smits, Matthijs Vlot
Collaborations: Max Maas & Anna Hilti, Hidde van Schie & Gert-Jan Akerboom
Curator: Rufus Ketting
Opening: Friday 3 October 19:00 - 23:00
Afterparty: Same evening @ Bar/Dancing De Camping 23:00 - bamm
DJ’s: My Little Soundsystem and Kaus & Kosa
all info through E*’s new website mes choix de fêtes
September 18, 2008 at 1:49 pm

I ‘guest curated’ and themed ‘YES’, the upcoming art show at MAMA (Rotterdam). The artworks in YES reflect a mentality which is characterized by an inversed distrust, without being naive. Childish without being silly. Free and liberating. YES explores the breadth of a generation that nourishes itself with humour, naivity, poetry and play. In a hectic, product oriented and media-controlled society, such an agile ability to put things into perspective is essential, a true elixir of life that keeps us alert: Yes! Live! Do!
Opens October 3rd.
Featuring artists: 75B, Daan den Houter, Kimberly Clark, Max Maas, Parra, Rafaël Rozendaal, Helmut Smits, Matthijs Vlot and collaborations: Max Maas & Anna Hilti, Hidde van Schie & Gert-Jan Akerboom. I know it’s mostly guys, but please… it doesn’t mean anything. I like girls.
Need more info: right here
August 18, 2008 at 7:58 am

Test… test… one, two…
Thanks to Marie-Claude Doyon we now have a new website with loads more features like categorized searching (my personal favourite) and a new suave appearance. If you by chance see nothing new about this website you might still be visiting our old blog (humobisten.com/weblog) instead of this all new http://www.humobisten.com thing we’ve got goin’ here. Pretty soon all our old posts will be categorized, so keep looking for new and old stuff in the near future.
brilliant photography by the bees’ knees in the interning business: Sander van Loon
August 12, 2008 at 8:05 pm
July 8, 2008 at 12:37 pm

Op (of is het in?) de gedempte Zalmhaven komt hoogstwaarschijnlijk Rotterdams
(en Nederlands) hoogste gebouw van 210 meter. In 2011 is het zover, als je de
nerds moet geloven online. Links in de verte (op het plaatje) zie je het Nationale
Nederlanden gebouw en het Westin hotel.
Van uw reporter.